Yesterday, I heard an amazing lecture with slide show by Nilima Sheikh, based on her stunning scroll painting, originating in memories, history, culture, people, landscape, dreams of Kashmir...
I put Kashmir in my dreams last night. Today I sat with a white sheet of paper and remembered the 'Chinar' tree.
The sky full of stars,
the blue night road
seeming to lead to them,
the distant village
bathed in some blue-green wine....
..........
The Stars, drowsy,
pregnant with moisture, falling
in such numbers that they seem
to haunt the road to the white barns of the village.
----------- Stone: by Kusano Shimpei
Wax-tree, five needled pine,
Grow from a fissure.
Sodden after rain,
moss flowers reflected in granite skin.
At the deep, silent
base of coming and going
Ants and mushrooms,
temple of hill and river spirits.
Clouds drawn up to the blue skies.
Hemmed round by dripping grasses,
bluntly the stone glimmers.
----------------
Hammock: by Horiguchi Daigaku
Hammock spread by a spider
And in it a butterfly rocks.
Shrouded in its golden halo
It dies....
---------------
On the snow
Alighting gently,
the nightingale.
Bright moonlight:
The wounds in the deep snow
Will not be hidden.
Nothing there but
The Whorl of a fern:
This floating world.
Pillow hard as a stone!
Am I a cicada
That I scream so loud? -by Kawabata Bosha
-----------------
Stepping on a tendril,
A whole hill of dew
Begins to move
Warm and snug,
Ageing in his sleep
The paddy Snail -by Hara Sekitei
--------------------------
Utter genius of Japanese poetry transport one to deep, secret, silent spaces inside one's being.
These I read in " The Penguin Book of Japanese Verse"
Those of you who who have read the previous post on 'Seeking the Beloved' and are not networked into the Kabir-Songs, Bangalore group, might be a bit mystified by it. That poem-post was a response to a Sufi Fest that happened last Sunday in Bangalore also by the same name 'Seeking the Beloved'. This program of Sufi music from the Sind region of the country was organised by the 'Kabir Project' that has also been responsible for bringing other incredible musical gifts to this city, thereby enriching all our lives.
The first bit of my poem is a response to the joyous uplifting when Moora Lala sang in his inimitable style, his songs from Kutch. Moora Lala with his swirling mustache, 100Watt smile and happy presence moved us all - literally! We swayed, clapped, beat to his songs and Parbat Jogi's rhythm on Dholak.
The second part of the program was by the Waee singers, Mitha Khan and Sumar Khan - this was my first introduction to Waee music and I confess it haunted my spirit, wrenched my soul, and left a deep inexpressible, melancholy stain of not-finding the sought, one's ultimate true beloved, on my person...so the second part of what I wrote derives from that.
Lastly, I just express a hunch that surely seeking one's ultimate beloved, in the most spiritual sense would lie in being able to delve deep inside one's own self...
When I sought
my beloved,
my heart
took flight-
across earth,
heavens
starry skies;
I glimpsed
him in the
dark and
radiantly light
and yet
my true beloved
remained out of sight...
Wounded,
I plunged
into my heart's
bloody cave,
tore this flesh,
desperate to brave
life's turbid currents
swirling inside
giving my beloved
a place to hide...
My breath sang
in Waee,
my heart
strummed its
beat -
I finally found
the doorway
& my beloved
for me to
meet!